孟浩然赠答诗的主体情性书写

The Subjective and Emotional Writing of Meng Hao-jan’s Reciprocal Poetry

唐代诗人孟浩然交游甚广,创作了数量颇多的赠答诗,在这些赠答诗中他抒发情志、张扬自我,呈现了复杂多变的主体情性。透过诗中的长安与“翻飞”意象,可以窥见一个积极用世却仕途失意的儒生形象,而考索桃源和归乡意象,则可以会面一位幽居田园、闲适自得的隐士。孟浩然在部分赠答诗中张扬主体情性、抹去寄赠对象,从而更新和丰富了赠答诗的创作模式及思路。

Meng Hao-jan, a poet of the Tang Dynasty, traveled extensively and created a large number of reciprocal poetry. In these reciprocal poetry, he expressed his personal feelings and publicized his own sentiment, presenting a complex and changeable subjective emotion. Through the images of Chang’an and “Flying” in the poems, we can see the image of a Confucian scholar who enjoys the active thoughts but his career is frustrated, and the image of the the Land of Peach Blossoms and the homecoming can meet a hermit who lives in the pastoral and leisurely. Meng Hao-jan publicized the subjective sentiment in some of the congratulatory poems, erased the object of the gift, and updated and enriched the creative patterns and ideas of the reciprocal poetry.