试论《沧浪诗话》的禅宗美学渊源

Exploring the Aesthetic Origin of Zen in Cang Lang Shi Hua

严羽在《沧浪诗话》中所建立的"以禅喻诗"理论体系,明显受到禅宗宗经《坛经》的影响。严羽所提出的所谓"别趣",实即传统诗学中的"兴趣"。"兴趣"和"气象"这两个诗学术语,是《沧浪诗话》的重要理论范畴,其中所体现出的"无迹可求"之美学境界,主要受到《坛经》实相无相观念的影响;而严羽论述学诗路径的"妙悟"与"活参",其审美思维则主要受到《坛经》顿悟思想的影响。《沧浪诗话》将禅宗修行的宗教思维和诗歌创作的审美思维合二为一,开创了新的诗学理论体系。

Yan Yu's theoretical system of "metaphorical poetry with Zen" in Cang Lang Shi Hua is influenced by Tan Jing.Yan Yu's so-called "Bie qu" is actually "Xing qu"."Xing qu" and "Qi xiang" are two important theoretical categories of Cang Lang Shi Hua ,which contain the "traceless" poetic realm influenced by the concept of Non phase view in Tan Jing;Yan Yu's aesthetic thinking embodied in "Miao Wu" and "Huo can" is mainly influenced by the Epiphany view of Tan Jing.Cang Lang Shi Hua creates a new theoretical system of poetry which combines the religious thinking of Zen practice with the aesthetic thinking of poetry creation.