表彰隐藏的光辉:歌谣运动与中国现代民俗学的建立

The Ballad Movement and The Establishment of Chinese Modern Folklore

诞生于一百年前五四新文化运动中的歌谣运动,以《歌谣》周刊的创立和歌谣的采集及研究为代表,吸引了胡适、周作人、顾颉刚、董作宾等当时的优秀学人参加。歌谣运动受中西文化的影响与促进,实现了中国学术眼光向下的革命,口头文学和民间文化登堂入室,成为学界研究的对象。实证的比较研究法、传说的历史演进研究法、歌谣采集的田野调查法等现代研究理论和方法的运用,推动歌谣研究和民间文化研究取得了令人瞩目的成绩。歌谣研究理论的成熟、方法的运用、研究队伍的确立、标志性作品的产生,标志着中国现代民俗学的建立。新的世纪,中国民俗学还需继承歌谣研究的优秀传统,进一步促进民俗学学科的发展和建设。

The ballad movement,born in the May Fourth New Culture Movement a hundred years ago,was represented by the establishment of the Ballad Weeklyand the collection and study of ballads,which attracted Hu shi,Zhou Zuoren,Gu Jiegang,Dong Zuobin and other most outstanding scholars at that time.Influenced and promoted by Chinese and western culture,the ballad movement realized the revolution of the top-down perspective in Chinese academia,and oral literature and folk culture climbed the ladder to become an object which academia discussed.The application of modern theories and methods such as the empirical comparison methodology,study on the historical evolution of legends,field investigation in the collection of ballads has promoted the study on ballad and folk culture to achieve great success.Maturity of the study of ballad theory,the establishment of the research team and the emergence of iconic works mark the establishment of Chinese modern folklore.In the new century,Chinese folklore needs to inherit the excellent tradition of ballad study and promote greater development and construction of folklore.