摘要
《源氏物语》的宇治十章中出场的女子浮舟一生命运多舛,使人同情。通过对浮舟的出身家境、恋爱经历、人生抉择等方面进行分析可以看出,她虽性格懦弱却又敢于反抗悲剧命运;她虽是有“罪”之身,却一直在寻求救赎之道;她虽品位不高,却也是深知“物哀”之人。浮舟这一人物形象,充分体现了作者紫式部对女性命运的思考和探索,诠释了“物哀”这一美学理念。
The woman, Ukifune, described in the last ten chapters of Uji in The Tale of Genji, led a pathetically tragic life. This paper analyzes her character image from the aspects of family background, love experience and life choice. And three contradictions can be found in this complicated character. Cowardly as she was, she bravely fought for her cruel fate. Being a sinner, she is always looking for salvation. Without great refinement, she requires a better understanding of “mono no aware”. The depiction of Ukifune fully shows the author's thinking of the fate of women and elucidates the aesthetic concept of “mono no aware”.
作者
吕政慧
LV Zhenghui(School of Foreign Languages,Northeast Normal University,Changchun 130117,China)
出处
《外文研究》
2019年第1期33-39,107,共8页
Foreign Studies