摘要
长篇小说中的国家形象是作家们对于国家和民族的一种形象认知和审美想象。在当代文学七十载的发展历程中,我国的国家形象也随着民族的沧桑巨变呈现出由红色中国形象渐趋丰富立体的嬗变过程,建构视角也由“俯视”“他知”的精英立场转变为“平视”“内化”的民间立场。为了更好地在全球化的语境下塑造国家形象,当代文学长篇小说更应当肩负起谱画时代的文学责任,利用融媒体的传播途径,兼顾本土性与全球性,思想性与时代性,建构与时俱进的新时代大国形象。
The national image in the full-length novel is a writer’s image cognition and aesthetic imagination of the country and the nation. In the course of the development of contemporary literature for seventy years, Chinese image has also evolved with the vicissitudes of the nation. The red Chinese image has become increasingly complex and multi-dimensional. The construction perspective is also from the elite who“look down”and“he knows”. The position turned into a“heads up”and“internalized”folk position. In order to better shape the national image in the context of globalization, contemporary full-length literary novels should shoulder the literary responsibility of depicting The Times, take into account the local and global characteristics, ideological and contemporary characteristics by means of media communication, and construct the image of great power in the new era that keeps pace with The Times.
作者
郑思佳
Zheng Sijia(Literature Institute, Liaoning University, Shenyang 110003, China)
出处
《沈阳工程学院学报(社会科学版)》
2019年第3期295-302,共8页
Journal of Shenyang Institute of Engineering:Social Science
关键词
新中国70年
长篇小说
国家形象
传播
70 years of New China
full-length novel
national image
communication