塞尚的“实现主义的还原”——以乔纳森·克拉里的塞尚研究为中心(下)

Cezaane’s “Reduction of Realizationism”:Centering on Jonathan Crary’s Study of Cezanne(Ⅱ)

克拉里的《知觉的悬置》预示着塞尚研究的新方法——视觉考古学。将克拉里的塞尚研究置于“现象学研究”的视野下加以重构,就会发现克拉里并未脱离前人太远。塞尚不可能承认胡塞尔的先验主义之现象学还原,而是以“还原之根本不可能”为导向做的激进性的还原。进一步讲,塞尚艺术的真正要义,恰如弗莱指出的,既不是“再现”对象,也不是“先验主义式”的“还原”对象,而是“实现”对象。

Crary’s Suspensions of Perception indicates the new methods of Cezanne’s study-Visual Archeology. Deconstructing Crary’s Study of Cezanne in the vision of “Phenomenology studies”, it will be found that Crary hasn’t gone far away from predecessors. It is impossible for Cezanne to admit Husserl’s Phenomenological reduction of transcendentalism, instead, his radical reduction takes “the impossibility of reduction” as the orientation. Furthermore, the essence of Cezanne’s art, just as Frye has pointed out, is not the object of “reappearing” or the “reduction” object of “transcendentalism”, but the object of “realization”.