明刊本《西游记》与86版电视剧中的唐僧形象之比较

Comparison of the Image of Tang Monk in the 86th Edition and the Ming Edition of journey to the west

从改编的视角出发来探讨明刊本《西游记》(李卓吾批评本)与86版电视剧中唐僧形象的异同,首先唐僧最突出的一个与电视剧不同的形象是"哭",其次从这两个艺术作品本身在类型上的差异来分析其原因,其中运用了莱辛《拉奥孔》相关理论以及部分影视叙事学的知识,最后从受众接受的角度分析文学到影视的改编。

From the perspective of adaptation, this paper explores the comparison of the image of Tang Monk in journey to the west(Li Zhuowu’s Criticism Version) published in the Ming Dynasty with the 86 th edition of TV dramas.Firstly,in the Ming edition, the most prominent image of Tang Monk that is different from the TV drama is "crying".Secondly, judging from the difference between the types of the two works of art, it tells the reason why the "image"is different. Laocoon correlation theory and film narrative knowledge are used to help the analysis. Finally, from the perspective of the audience, the adaptation of literature to film is analyzed.