宋文治的书画收藏与创作

Song Wenzhi’s Collections and Creations of Calligraphy and Paintings

宋文治的书画收藏在现当代书画收藏史上具有典范意义.他收藏的现当代书画家作品,是一部新中国成立后,书画家立足传统、突破传统、锐意创新、自立新貌、反映时代精神发展的缩影.在20世纪下半叶书画收藏史上,宋文治独到的收藏眼光和对现当代书画艺术的价值判断,具有重要的学术价值.这些藏品见证着宋文治和现当代书画家的情谊,对他的绘画创作风格形成具有内在的逻辑关系.宋文治的艺术创作可概要为师传统、师造化、师心源三个阶段,每个阶段的创作转变都与其书画收藏具有内在的逻辑关系.

Song Wenzhis collections of calligraphy and paintings are with exemplary significance in the history of modern and contemporary art collections. Songs collections of works by modern and contemporary calligraphers and painters act as the epitome of these artists, after the founding of the Peoples Repulic of China, respecting traditions, going beyond traditions, actively innovating, ushering in new elements, and reflecting the spiritual development of times. With regard to the collection history of calligraphy and paintings in the second half of the 20th Century, crucial academic value can be found in Songs unique taste of collections and judgment of the artistic value of the modern and contemporary calligraphy and paintings. In fact, these collections witnessed the friendship between Song and many modern and contemporary calligraphers and painters, while establishing an inner logical relationship that contributed to his styles of paintings. Specifically, the artistic creations of Song include three stages - to learn from traditions, to learn from Nature, and to learn from the mind, with each stage featuring an artistic shift that maintains an inner logical relationship with his collections of calligraphy and paintings.