摘要
福建省莆田市博物馆现藏清代欧峡《天后圣迹图》,原为当地供奉妈祖的天后宫举办水陆法会所用之物。本文通过对天后宫的历史追述,回顾《天后圣迹图》的收藏递变,钩沉作者的生存环境以及艺术创作,分析图像的叙事与功能,试图还原此图作为宗教圣物的创作及使用的历史情境,探寻民间宗教绘画图像叙事的意义转换。
The Saint Appearance of the Heavenly Queen (by Ou Xia of the Qing Dynasty) is now at Putian Museum of Fujian, and it used to be an item for hosting the water-land rite for worshiping the Heavenly Queen in the local Temple of Mazu. Aside from a historical description of the Heavenly Queen Temple, this article dates back the history of collection of this painting, introduces the living environment and ardstic creation of chepainter, and analyzes the narrative and fimetions of the image. From there,it intends to restore the historical context in which the painting was created and used as a sacred object, hcncc exploring the meaning transfer of the pictorial narrative in folk religious paintings.
出处
《美术》
CSSCI
北大核心
2019年第7期110-114,共5页
Art Magazine
基金
中国海洋发展研究会2018年度重点项目“妈祖海洋文化及其在海上丝路建设中的价值研究”支持
“福建省社会科学研究基地重大项目”课题(批准号:FJ2016JDZ057)阶段成果
关键词
欧峡
妈祖
天后圣迹图轴
民间绘画
Ou Xia
Mazu
The Saint Appearance of the Heavenly Queen
folk paintings