性别主义视域下宋碧云《啼笑皆非》汉译研究

A study of Song Biyun’s Chinese translation of Between Tears and Laughter from the perspective of feminist translation theory

本文基于性别主义翻译理论,以宋碧云《啼笑皆非》汉译本为例,分析了性别意识和政治倾向对宋译文本重建的实际影响。文章认为,译者在翻译过程中对原文的"曲意不忠"和对身份的"叛逆重塑"对译作的实际呈现产生了较大影响,从而使时代译作得以焕发新生。

Based on the feminist translation theory, this paper, by taking Song Biyun’s Chinese version of Between Tears and Laughter as an example, aims to analyze the tangible impact of the translator’s gender consciousness and political orientation on the target text reconstruction. It argues that the translator’s intentional unfaithfulness to the source text through manipulation and her strong awareness of self-identity as the translator by treason and remodeling would yield a great influence on the target text and pump a new life into the source text originally created in a given era.