日本汉学家青木正儿的中国文化乡愁

Aoki Masaru’s China Nostalgia

本文以青木正儿对中国文化的"乡愁"为切入点,追溯了青木正儿中国文化乡愁产生的背景,分析了这种文化乡愁的表述方式,阐释了青木正儿建立在感性与理性基础之上的文化乡愁的独特性。本文认为,青木正儿对中国的文化乡愁源自于其对中国文化的无限接近,也是他对中国文学思想、自然观念、审美心理进行深入阐释的根本原因。同时,他对现实中国文化所表现出的庸俗与贫乏的批判、对中国学术界的担忧,构成了其乡愁的另一个侧面。然而青木正儿依然对中国的未来寄予厚望,这也正是他对中国文化因乡愁而体现出的善意。

This study takes Aoki Masaru’s nostalgia for Chinese culture as the entry point,traces the background of its emergence,analyzes its expression,and explains its uniqueness.It argues that Aoki Masaru’s nostalgia of Chinese culture originated from his unlimited approach to Chinese culture,which was also the fundamental reason for his in-depth interpretation of the aesthetic psychology of Chinese literary thoughts and natural concepts.Meanwhile,his criticism of the vulgarity and poverty of modern Chinese culture and his concern for Chinese academic circles constituted another aspect of his nostalgia.However,Aoki Masaru still had high hopes for the future of China,which was exactly his goodwill towards the nostalgia of Chinese culture.