明末清初拟话本小说寄生民歌的“吴地”色彩

The Color of “Wu Area” in the Parasitic Folk Songs of the Novels in the Late Ming and Early Qing Dynasties

明末清初拟话本小说中的寄生民歌种类甚多,其分布也具有一定规律。总体说来,主要集中在南方,且以吴地民歌为多,这与作者大多为江南人,民众喜爱吴歌有关。小说中民歌的地域性,表现在地域语言及对地域事件、地域景观的描绘上,成为小说地域叙事的重要部分。地域个性不同,该地民歌的个性也就不同。吴歌爱言私情、喜讥刺与调侃,是吴越地域个性使然。小说家的吴地地域身份,又在一定程度上导致了外地民歌的吴地化。

There are many kinds of parasitic folk songs in vernacular short novels in the late Ming and early Qing dynasties,and their distribution also has certain rules.Generally speaking,they are mainly concentrated in the south and most of the folk songs belong to Wu area.This has something to do with the fact that most of the authors live in the areas of south of the Chang Jiang River and people love Wu songs.The regionalism of folk songs in the novel is manifested in the regional language and the description of regional events and regional landscapes and becomes an important part of the regional narration.With different regional characteristics,the folk songs in the region have their specific characteristics.Due to Wu Yue's regional characteristics,Wu songs like to express personal feelings and ridicule people.The novelists' regional identity of Wu area,to a certain extent,led to the localization of folk songs of other areas.