论《琴清英》中的音乐美学思想

Discussion on Music Aesthetics of Qin Qing Ying

《琴清英》是一篇体现扬雄音乐美学思想的著作,反映出扬雄音乐美学思想的双重审美倾向。他一方面坚持礼乐教化,追求雅正的音乐;另一方面肯定内心情感的真实表现,强调音乐“以悲为美”。这种双重审美倾向看似矛盾,实际上是汉代一种新的审美观念——“汉家威仪”的出现,是汉代多元统一的中华民族对北方“崇高”的审美观念和南方“飘逸”的审美观念的一种兼容和整合,反映出音乐美学思想在汉代的发展状况。本文以琴道思想为切入点,浅析《琴清英》中所蕴涵的音乐美学思想。

Qin Qing Ying (《琴清英》)is a work reflecting YangXiong's dual aesthetic tendency of music thought. On the one hand,he insisted on enlightening by rite and music,pursuing the music style of elegant and standard ("Ya Zheng"). On the other hand,he affirmed the real expression of inner feelings to emphasize that "Sorrow is beauty".This dual aesthetic tendency that seems to be contradictive,actual is a new aesthetic idea of Han dynasty that called "The dignity of Han dynasty",which is developed by the unity of the aesthetic idea of "Sublime" in north and "elegant" in south China. This paper starts with the thought of Qindao to analyze the music aesthetic thought contained in Qin Qing Ying .