元代散曲中的宋玉接受研究

A Study on the Acceptance of Song Yu in Sanqu of Yuan Dynasty

自司马迁说宋玉“莫敢直谏”以来,宋玉的人格精神就被打上了不敢直谏、懦弱的符号,其作品中的劝百讽一、微讽曲谏更是为后来众多文人所诟病。放眼汉代至宋这段文学历史长河,文人们多从儒家诗教的正统文学观出发,对宋玉的人格精神及作品内容的旨趣多否定,少赞美。直至元代,散曲家们以全新的接受态度对宋玉的文学作品及其人格精神进行评价,宋玉文学中与艳情相关的女性形象、男女之情等被无限放大,其本人也被异化为风流多情的浪子形象,赞美仰慕之声不绝。

Since Sima Qian said that Song Yu was "not daring to speak directly",Song Yu's personality spirit has been marked with the symbol of being afraid to speak directly and cowardly,and his works are criticized by many scholars later. Looking at the long history of literature from the Han Dynasty to the Song Dynasty,scholars and deny Song Yu's personality spirit and the content of his works more than praise.Until the Yuan Dynasty,Sanqu writers evaluated Song Yu's literary works and personality spirit with a new attitude of accepting. The female images and love between men and women related to eroticism in Song Yu's literature were magnified infinitely,and his personal image was alienated as amorous prodigal sons,with endless praise and admiration.