摘要
"华夷观"在不同民族冲突或者融合中产生,蒙元时代激烈的"夷夏之辨"不可避免地反映到相关历史杂剧创作中。《汉宫秋》《梧桐雨》二剧的"华夷观"呈现出基本尊重历史事实、双重性、玩世超然以及蕴含深沉悲剧情感四个特点。形成这些特点的原因主要在于作者自身因素、作者特定生活环境的限制以及观众多样性对作者的反向作用。
"Hua-Yi distinction" arises in different ethnic conflicts or integration,and the heated debate about it in the Yuan Dynasty is inevitably reflected in the historical dramas like Rain on the Plane Tree written by Bai Pu and Autumn in the Palace of Han by Ma Zhiyuan. Both are characterized by their respect for historical facts,duplicity,cynical detachment and profound tragic feelings,which are attributed to the writers themselves,the limitations of their living environment and the negative effects of audience diversity on the author.
作者
刘志强
LIU Zhi-qiang(School of Humanities and Communication,Shanghai Normal University,Shanghai 200234,China)
出处
《太原师范学院学报(社会科学版)》
2019年第3期27-33,共7页
Journal of Taiyuan Normal University:Social Science Edition
关键词
白朴
马致远
汉宫秋
梧桐雨
华夷观
Bai Pu
Ma Zhiyuan
Rain on the Plane Tree
Autumn in the Palace of Han
Hua-Yi distinction