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基于时空向量的新卫城博物馆建筑解析

Analysis of New Acropolis Museum Architecture Based on Space-time Vector
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摘要 和所有现代城市一样,希腊共和国首都雅典也面临着传统与发展之间的权衡。雅典卫城所代表的是希腊古典时期文化艺术巅峰,面对沉睡的过去,伯纳德·屈米设计的新卫城博物馆试图与历史发生关联。向量是具有大小和方向的量,文章从时间向量和空间向量两个角度分析新卫城博物馆与雅典卫城旧址的碰撞,阐述历史与未来的融合与交流,解析21世纪博物馆设计的先锋之作。 As all modern cities, Athens, the capital of the Greek Republic, faces a trade-off between tradition and development. The Acropolis of Athens represents the whole history of Greece. Facing the sleeping past, Bernard Tschumi' s new Acropolis Museum tries to relate to history. Vector is a quantity with size and direction. This paper analyses the collision between the New Acropolis Museum and the old Acropolis site from two angles, time vector and space vector. Then,it expounds the communication between history and the future, meanwhile analyses the pioneer works of museum design in the 21st century.
作者 宋悦 齐新竹 Song Yue;Qi Xinzhu
出处 《建筑与文化》 2019年第7期68-69,共2页 Architecture & Culture
关键词 时间向量 空间向量 新卫城博物馆 案例解析 time vector space vector new acropolis museum case analysis
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  • 1马俊.博物馆陈列艺术设计之理念创新[J].长春理工大学学报(自然科学版),2010,33(10):36-37. 被引量:12
  • 2Dimitrios Pandermalis, "The Museum and its Content," in Bernard Tschumi Architects ed., The New Acropolis Museum, Skira Rizzoli, 2009, p24.
  • 3Roland Barthes, Camera Lucida: Reflections on Photography, Farrar, Straus and Giroux, 2010, p144.
  • 4Manoles Korres ed., Dialogues on the Acropolis: Scholars and Experts Talk on the History, Restoration and the Acropoplis Museum, Skai Vivlio, 2010, p.465.
  • 5Bernard Tschumi, Archttecture Concepts: Red is Not a Color, Rizzoli, 2012, p.498.
  • 6Bernard Tschumi, Archttecture Concepts: Red is Not a Color, Rizzoli, 2012, p.502.
  • 7Bernard Tschumi, Architecture and Disjunction, The MIT Press, 1996, p4.
  • 8Bernard Tschumi, Archttecture Concepts: Red is Not a Color, Rizzoli, 2012, p.495.
  • 9Bernard Tschumi, Archttecture Concepts: Red is Not a Color, Rizzoli, 2012, p.514.
  • 10Anthee Carassava, "In Athens, Museum Is an Olympian Feat," New York Times, June 20, 2009.

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