二十世纪现当代音乐创作中的三度叠置——以贝尔格、达拉皮科拉、布列兹与库塔克的四部作品为例

The Superposition of Thirds in Modern and Contemporary Composition in the Twentieth Century——Take Four Works of Alban Berg,Luigi Dallapiccola,Pierre Boulez and Gy?rgy Kurtág as Examples

纵观西方艺术音乐的若干发展时期,三度叠置,或来自对历史的继承,或来自对习惯的接受,或来自对潮流的追随,或来自对规则的遵循。它或是一种趋势,或是一种现象,或是一种象征……当西方艺术音乐步入二十世纪,则步入了一个不断探索、不断创新与不断变革的时期。在这样的过程中,它们(三度叠置)是否仍保持着本真,还是被赋予新的意义。本文即以此为出发点,并将对属于二十世纪现当代音乐创作范畴的四位具有代表性的作曲家的四部作品展开一定程度的分析。

Throughout several periods of development of the Western art music, the superposition of thirds may imply the inheritance of history, the acceptance of habits, the following of trends, or the observing of rules. It's maybe a direction ,or a phenomenon, or a symbol,etc. When the Western art music entered the twentieth century,it entered a period of constant exploration, innovation and change. In such a process, whether the superposition of thirds remain the real look or are given new meaning. This paper will take this as a starting point, and will focus on the analysis of four representative composers' four works that belong to the category of modern and contemporary compositions in the twentieth century.