同源分流:现代马头琴与潮尔琴关系再探讨

Homologous shunt:A probe into the relationship between modern Morin khuur and choir

马头琴,蒙古语称作“莫林胡尔”,是蒙古族最具代表性的民族乐器之一。潮尔琴,亦记“抄儿”,流传于科尔沁民间的蒙古族传统弓弦乐器。马头琴与潮尔琴之间的源流问题,是近年来学界研究中具有争议性的热点问题。在已有前人研究成果中,马头琴与潮尔琴源流问题主要可归结为同一论、改进论、分开论三种观点。本文希望在前人研究的基础上,再次从乐器、器乐音乐及其背后的文化根源上,就马头琴和潮尔琴源流问题再次进行分析和辩释,目的在于厘清现代马头琴与潮尔琴的共性和特性,尤其在演奏实践中的声音风格特质,以便演奏者能够更加准确地把握二者的器乐音乐特质。

Morin khuur, Mongolian called " Morin khuur ", is the most representative national music of the Mongols One of the device. Choir, also remember "Chaoer", spread in Keerqin folk Mongolian traditional bow string instruments. The source problem between Morin khuur and Choir is a controversial hot issue in academic research in recent years. Among the previous research results, the problems of Morin khuur and Choir source can mainly be summed up as the same theory, improvement theory, separate theory of three viewpoints. On the basis of previous studies, this paper hopes to analyze and Morin khuur again from the problems of musical instruments, instrumental music and the cultural roots behind them, in order to clarify the commonness and characteristics of modern Morin khuur and Choir, especially the sound style traits in the practice of playing, So that the performer can more accurately grasp the instrumental music characteristics of the two.