摘要
原生态音乐是人与自然的和睦相处,是人与人之间质朴的情感表达。哈尼组合是由四个热爱音乐的年轻人组成,为原生态音乐的传承与发展开辟了一条新的方向。他们以尊重音乐本质,让音乐回归本源为音乐理念,努力让蒙古族原生态音乐成为一种更接近民众的声音。本文采用民族音乐学田野调查方法,把研究对象“哈尼组合”置于内蒙古特定的文化空间,对其历史背景、表演形式、伴奏乐器、创作理念等方面进行初探,进而为内蒙古地区原生态音乐的传承与创新提供实证研究案例。
Primitive Music expresses harmony between human beings and the nature, as well as the plain feeling between people. Hani Unionconsists of four passionate and young musicians. They are thriving for a new direction for the inheritance and innovation of primitive music. Holding respect for primitive music and the belief of returning music to its essence, this group tries to turn primitive music into the voice of Mongolian people. This paper used field research method in ethnomusicology to study history background, performance, accompaniment of instruments, composition ideas of the object Hani Union under the content of Inner Mongolia culture in order to inherit and innovate primitive music.
作者
陈子萱
佟占文
Chen Zixuan;Tong Zhanwen(Inner Mongolia Normal University Inner Mongolia Hohhot 010010)
出处
《内蒙古艺术学院学报》
2019年第2期136-140,共5页
Journal of Inner Mongolia Arts University
基金
国家社科基金特别委托项目草原文化研究工程“草原马头琴文化研究”(项目编号:CYWH2015-08)系列论文
内蒙古自治区高等学校科学研究项目名栏建设专项项目“田野调查”(项目编号:NJMZ1706)专栏论文
关键词
内蒙地区
原生态音乐
哈尼组合
发展
创新
Inner Mongolia Area
Primitive Music
Hani Union
Development
Innovation