试论西藏传统工艺美术的现代工艺定位

On the Modern Process Positioning of Tibetan Traditional Arts and Crafts

本文从工艺美术的概念着手,辨析了传统工艺美术与现代工艺美术的根本差异。以走访的实际案例为切入点,着重分析了西藏传统工艺美术在现代的发展瓶颈及原因,针对传统工艺美术的衰微、传承与创新、消费者的功能需求三个方面进行合理性的阐释,将传统工艺美术的审美趣味、生产方式和技术手段兼容到现代工艺理念中来,以适应市场发展最终适应现代生活的需求。

This paper starts with the concept of arts and crafts, and analyzes the fundamental differences between traditional arts and crafts and modern arts and crafts. Taking the actual cases of visiting as the entry point, it analyzes the bottlenecks and causes of the traditional development of Tibetan traditional arts and crafts in modern times, and rationally interprets the three aspects of the decline of traditional arts and crafts, inheritance and innovation, and the functional needs of consumers. The aesthetic taste, production methods and technical means of traditional arts and crafts are compatible with the modern craft concept to adapt to the market development and finally adapt to the needs of modern life.