摘要
传统艺术设计作品是实物性的存在,数字网络技术的发展拓展了艺术设计作品的存在形式,使其成为虚拟的“赛博空间”中的虚拟存在物(比特物),以数字化技术及其发展为支撑的数字化艺术设计,给人们带来了与传统不同的审美体验。其主要表现为介入与多向度审美、交互性和虚拟沉浸的非物质性审美。呈现出审美体验由传统向现代的转型,研究数字化媒介下的审美体验转型也拓展了我们对审美本质和规律的认识。
the traditional art design works exist in physical nature. The development of digital network technology expands the form of the art design works, making it a virtual existence (bit object) in the virtual "cyberspace" and digital art design supported by digital technology and its development, which brings people to the tradition. Different aesthetic experiences. Its main performance is the immaterial aesthetic of intervention and multi-dimensional aesthetics, interaction and virtual immersion. Showing the transformation of aesthetic experience from tradition to modernity, studying the transformation of aesthetic experience under the digital media has also expanded our understanding of the essence and law of aesthetics.
作者
彭军
PENG Jun(Wuhan University of Technology, Hubei Wuhan, 430070, China)
出处
《数码设计》
2018年第5期214-215,共2页
Peak Data Science
关键词
数字化媒介
审美体验
介入与多向度
交互与虚拟沉浸
非物质性
digital media
aesthetic experience
intervention and multidimensional
interaction and virtual immersion
immateriality