摘要
借助“坠落的人”的具象化处理,超越了传统“9·11”严肃小说对创伤叙事的关注,将视线移至后现代普通个体的存在状态,揭示出后现代人各式自我疏离的精神境况,从时空二维启发个体对后现代存在与死亡的生命体验进行反思。从自然、社会和自我三个方向,试图重塑后现代人积极自为存在模式,为处于精神沼泽之中的人们探索了一条达致真正自由的可能路径。
Falling Man transcends over the conventional trauma theme of other 9·11 serious fictions with its specification techniques, but it focuses on the living condition of ordinary postmodern individuals by taking Keith as a typical exampie to disclose the various forms of self-estrangement in the postmodern society. It is the visualization of ontological truth from time and space dimensions, triggering introspections of death and existence. There is a successful reconstruction of postmodern existence in nature, society and self respectively, offering a possible path for people stuck in spiritual swamp towards the true freedom.
作者
许爱梅
XU Ai-mei(Department of Social and Cultural Education and Research,Party School of the CPC Jiangsu Provincial Committee,Nanjing 210009,China)
出处
《江苏行政学院学报》
CSSCI
北大核心
2019年第4期38-44,共7页
The Journal of Jiangsu Administration Institute
基金
江苏省决策咨询研究基地课题“加强江苏党内政治文化建设研究”(19SSL0360)的阶段性成果
