少数民族音乐术语的生成、演进及系统表达

Generation,Evolution and Systematic Expression of Minority Music Terms

少数民族音乐风格独特、内涵丰富、体系完备、表达方法多样,是我国独一无二的文化瑰宝,具有极高的艺术成就和价值。少数民族音乐术语是由一切与音乐活动相关的专有名词和符号构成,音乐术语可以用来准确地标记民族音乐的特性、关系、阶段等特征,因此可以说音乐术语的相似程度越高,不同音乐体系的专业交流就更加畅通。我国少数民族音乐体系兼具传统的中乐以及外来的西洋音乐的双重属性,这在少数民族音乐术语的产生、发展以及表达上的体现尤为突出。在此旨在探索受国内外不同音乐体系的影响,我国少数民族音乐术语的形成特点,并在对少数民族音乐术语演进过程进行有序梳理的基础上,为少数民族音乐术语系统的完善寻找有效路径。

Ethnic music is a unique cultural treasure in China with its unique style, rich connotation, complete system and diverse expression methods, and it has high artistic achievements and values. The term music of ethnic minorities is composed of all proper nouns and symbols related to music activities. The term music can be used to accurately mark the characteristics, relations and stages of national music. Therefore, it can be said that the higher the similarity of music terms, the smoother the professional communication of different music systems. Music system of ethnic minorities in China has the dual nature of traditional zhongle and foreign music, which is particularly prominent in the generation, development and expression of music terms of ethnic minorities. This paper aims to explore the formation characteristics of music terms of ethnic minorities in China under the influence of different music systems at home and abroad, and find an effective path for the improvement of music terms system of ethnic minorities on the basis of orderly sorting out the evolution process of music terms of ethnic minorities.