“诚斋体”新论——从杨万里诗歌的物我关系说起

A New View on “Chengzhai Style”——Starting from the Material-Self Relation in Yang Wanli’s Poems

作为"诚斋体"的开创者,杨万里的诗歌多注重对物我关系的书写。这种书写受到元和诗人以及宋儒两方面的影响:在前一种继承中,诗人所追求的是一种"笔补造化"的诗歌极境,即用诗人之眼统摄万物,继而辅以赋家"体物"之笔,并最终超脱于造化之上;而在后一种继承中,他所践行的毋宁说是一种类似理想家"观物"的学者姿态,这点跟诗艺的开拓异趣,在境界上可谓诗人之眼与学者之心交融涵泳之下的"目击道存"。

As the pioneer of "Chengzhai Style",Yang Wanli’s poetry pays more attention to the writing of the material-self relation.This kind of writing is influenced by Yuan-He poets and Song confucians: in the former inheritance, the poet pursues a extreme state of "Pen Transcends Nature"from poetry:that is,to command all things with the poet’s eyes,then by the Materials Depicting from Fu-writers, and ultimately to transcend the creation;in the latter inheritance, he practices a kind of "Creatures Viewing" similar to the idealist.Instead of the seeking of poetry state, it can be described as the "Eyes Witness Tao Existence" under the blending of the poet’s eyes and the scholar’s heart in the realm.