摘要
五四新文学以"个性解放"为口号,以"自我"与"自由"为目的,全面宣传其"西化"启蒙的价值理念,并形成了一种反传统的文化思潮。然而,启蒙却并没有使新青年获得"自我"与"自由",反倒是使他们遭遇了现实生存的巨大困境。因此,新文学作家的思想倾向性,便开始明显地发生了"左转"。因为他们已经清醒地意识到,由于"自我"绝不可能脱离社会而独立地存在;故叙事主人公由"我"变成了"我们",则是一种符合历史发展规律的必然选择。
Taking "individual emancipation"as its slogan and taking "ego"and "freedom"as its purpose,the "May Fourth Literature"propagandized its enlightened values of westernization and formed a cultural trend of thought against the traditional culture. However,the enlightenment did not make the new youth gain their ego and freedom. On the contrary,it made them encounter a huge dilemma of real existence. Therefore,the ideological tendency of new literature writers began to turn left obviously.Because they have been soberly aware that the "self " can never exist independently of society. The narrative protagonist,with this perspective,changed from "I"to "We",which is an inevitable choice in line with the law of historical development.
出处
《暨南学报(哲学社会科学版)》
CSSCI
北大核心
2019年第7期8-15,共8页
Jinan Journal(Philosophy and Social Sciences)
基金
国家社会科学基金重点项目“新文学伦理叙事研究”(18AZW021)
关键词
“五四文学”
“革命文学”
启蒙
"May Fourth Literature"
"Enlightenment"
"Revolution Literature"