摘要
舞台服装的设计属于舞台设计范畴。导演与舞台表演、策划人员等形成一个团队,这个团队根据剧本内容和导演创意,在同一艺术构架中共同完成。随着社会经济的发展,越来越多的人开始关注舞台服装。舞台服装不仅要利于演员自身的行动和表演,还要做到创造适合剧情需要的典型形象。伴随舞台服装设计的发展,很多的元素都加入其中,壮锦就在舞台服装设计中被应用,这一尝试展现了壮剧舞台服装的民族特色。壮锦和舞台服装设计的融合是壮剧舞台服装设计的一个飞跃,展示了更具民族特色的舞台艺术形象。本课题就壮锦和壮剧舞台服装设计融合进行简要的分析,希望能促进壮剧舞台服装设计的发展和提升。
The design of stage costume belongs to the stage design category. It is an important part of this system. It forms a group with art forms such as directors and performances. This team is jointly completed in the same art framework according to the script content and the director’s creativity. With the development of social economy, more and more people are paying attention to the artistic means of stage costumes, which not only benefits the actors’ own actions and performances. It is also necessary to create a typical image that suits the needs of the plot. The development of stage costume design, many elements have begun to join, among which the brocade is applied in the stage costume design, this attempt to promote the national characteristics of the stage costumes of Zhuang opera. The integration of Zhuang Jin and stage costume design is a more regional and more national stage art image of Zhuang drama stage costume design. This article makes a brief analysis on the integration of Zhuangjin and Zhuang Opera stage costume design, hoping to promote the development and promotion of Zhuang drama stage costume design.
作者
阳晓青
Yang Xiaoqing(Guangxi Zhuang Autonomous Region Drama Theatre Nanning 530023,China)
关键词
壮锦
壮剧舞台服装
融合
Zhuangjin
Zhuang Opera stage costume
fusion