板梁古村民居彩绘的艺术与文化研究

Research on the Polychromy Paintings and Culture of Residence in Banliang Ancient Village

湘南民居乃湖南传统民居的重要组成部分,融合了多元文化,尤以儒、道文化的影响最为深刻。正是这些传统文化的交融,形成了独特的湘南民居风格,催生了兼具实用、欣赏与教化意义的图示--彩绘。本文以郴州板梁古村为例,对民居彩绘的文化溯源、题材与内容、色彩进行分析,旨在对湘南传统民居彩绘装饰的儒、道思想内涵作出解读,弘扬传统民族文化。

The residence in South Hunan is an important part of the traditional folk houses in Hunan, with the combination of multiculturalism, especially Confucianism and Taoism, has the most profound influence. It is the blending of these traditional cultures that has formed a unique style of residence in southern Hunan. They give birth to both practical, appreciative and instructive diagrams which called polychromy paintings. Taking Banliang Ancient Village in Chenzhou as an example, it analyzes the cultural origin, subject, content and color of polychromy paintings. The purpose of this paper is to interpret the connotation of Confucianism and Taoism, based on coloured drawing on traditional folk houses in southern Hunan, and to carry forward the traditional national culture.