民族声乐演唱对地方民歌风格的借鉴——以陕北民歌为例

Reference of National Vocal Singing Techniques to Folk Songs——Taking Northern Shaanxi Folk Songs as Eamples

我国是一个多民族的国家,具有五千年的灿烂文化,民族音乐是这一古老文化中的一个组成部分,而民歌又是民族音乐的重要内容。民歌大部分反映了历代人民的心声,与劳动人民的生活、斗争息息相关,具有强大的生命力。其中,地方民歌中的陕北民歌,大多数来自于19世纪末至20世纪40年代,内容不但包括了社会变革的具体情况,还有长工歌,深刻揭示了陕北人民激烈反抗封建统治阶级剥削的斗争概况,尤其是有关历史的民歌,都是一批宝贵的资料。本文以地方民歌中最具代表的陕北民歌为例证,通过对该类民歌中最具代表的信天游进行分析,说明民族声乐演唱技法对地方民歌风格的借鉴。

With multiple nations and splendid cultures of 5000 years in China,Chinese folk music presents significance in history and culture. As an important part in folk music,folk songs reflect the aspirations of the generations, and are closely related to the lives and struggles of the working people with strong vitality. Northern Shaanxi folk songs are very representative in Chinese folk songs,most of them were created from the end of the 19th century to the 1940s, the content not only includes the specific situation of social changes but also profoundly reveals the Northern Shaanxi people’s general situation of the struggle against the exploitation from the feudal ruling class, especially the folk songs related to history which are valuable historic reference. In this paper Northern Shaanxi folk songs are taken as examples, and Xintianyou, the most representative in Northern Shaanxi folk songs are analyzed to embody the reference of national vocal singing techniques to folk songs.