《聊斋志异》中的狐与中国狐文化

A Study of theImages of Fox in Strange Stories from a Chinese Studio and Chinese Fox Culture

《聊斋志异》中涉及到狐的篇目极多,这些形象的塑造与中国悠久的狐文化息息相关。《聊斋》中的狐一方面保存了传统狐文化中的魅人、作祟的基本母题和狐变幻的故事结构,另一方面作者则有意识地对传统狐文化进行干预,重新对“狐”这一形象进行审视并重塑。本文主要是对《聊斋志异》中有关狐的篇目与传统狐文化进行对比分析,并兼及蒲松龄深层次的文化心态。

A great many stories related to fox are involved in Strange Stories from a Chinese Studio, the images of fox are closely bound up to long-standing fox culture in China. On the one hand, the images of fox in Strange Stories from a Chinese Studio keep the basic themes of luring men and causing troubles as well as the structure based on fox transformation, on the other hand in Strange Stories from a Chinese Studio the traditional fox culture is intervened intentionally, and the images of fox get rethought and rebuilt. In this paper, an analysis is carried out comparing the stories related to fox in Strange Stories from a Chinese Studio with traditional fox culture as well as the analysis on deep cultural mentality of Pu Songling.