摘要
电影是科技的产物,电影与科技之间存在着密切的天然亲缘关系。《流浪地球》在科幻故事情节营造的虚拟语境下,大量运用多模态隐喻,使这部科幻电影充满了哲学色彩。文章在分析多模态隐喻的四个基本层次结构及哲学内涵基础上,分别从隐喻叙事、多元符号、意象世界、意境超验四个层次来分析影片如何通过多模态隐喻科幻电影的哲学思维,探讨人类归宿及反思科学,旨在对后续多模态隐喻的哲学研究提供参考,为多模态隐喻诠释科幻电影提供新视角。
Film is the product of science and technology,and there is a close natural kinship between film and science and technology. In the simulated context of science fiction plot,The Wandering Earth is fully philosophical by using a lot of multimodal metaphors. Based on the analysis of the four basic hierarchies and philosophical connotations of multimodal metaphor,this paper discusses how the film explores the fate of human beings and reflects on science through the philosophical thinking of multimodal metaphorical in sci - fi films from four levels of metaphorical narrative,multi - symbol,image world and artistic conception transcendence. The purpose of this study is to provide a reference for the philosophical study of multimodal metaphor and to provide a new perspective for the interpretation of sci- fi films through multimodal metaphor.
作者
段荣娟
李鑫
DUAN Rong-juan;LI Xin(College of Foreign Languages,Taiyuan University of Technology,Jinzhong Shanxi 030600,China)
出处
《科学技术哲学研究》
CSSCI
北大核心
2019年第4期113-118,共6页
Studies in Philosophy of Science and Technology
基金
山西省哲学社会科学规划项目“从文化话语的建构到文化价值观的传播,全媒体环境下山西主流报业的文化报道研究”
太原理工大学校级教改课题“新工科”“新文科”CLIL通专融合国际化一流本科人才培养路径研究
山西省哲学社会科学规划课题(2018B037)
关键词
科幻电影
模拟语境
哲学思维
多模态隐喻
Science fiction film
Simulated context
Philosophical thinking
Multimodal metaphor