《过昭关》:空间表达、失语修辞与卑俗异托邦

Crossing the Border-Zhaoguan:Space,Aphasia Rhetoric,and Heteropia of Base

《过昭关》作为一个温情的公路小品,导演通过空间叙事的张力呈现出丰富的空间维度。影片打开了人物的内心空间、也延展了精神空间的广阔边界,以审美化的方式完成一次对异位现实的补偿与反思。对于初入商业市场并期望通过描摹社会性图景进行批判表达的独立导演,这种兼具漫游式结构的流浪型旅途电影所呈现的空间表达、失语修辞与卑俗异托邦等,无疑是温情的旅途电影采取"在路上"形式的一个最优选择。

The film Crossing the Border-Zhaoguan directed by young director Huo Meng is a warm journey movie.Through the tension of space narration,the director presents a rich spatial dimension,opening up the inner space and even spiritual space of the characters to an infinite and broad vision.He completes a film’s compensation and reflection on the ectopic reality in an aesthetic way.