东北亚电影文化身份认同研究——以戛纳电影节等四大节奖获奖影片为例

On the Cultural Identity of Northeast Asian Films:Take the Award-winning Films of the Four International Film Festivals as an Example

"东北亚"已经由一个地理概念上升到一种具有紧密心理联系的文化概念,本文即是以中、日、韩为代表的东北亚电影为观照对象,以戛纳电影节、柏林电影节、威尼斯电影节和奥斯卡金像奖的获奖影片为参照,从"他者"认同的视角分析并归纳出东北亚区域电影文化身份的价值内核、意义表征与审美取向,探讨东北亚电影在国际电影界中文化身份的认同与自我建构的相关问题。

"Northeast Asia"has risen from a geographical concept to a cultural concept with high psychological identity.In this study,the Northeast Asian films represented by China,Japan and Korea are taken as the object of study,and the award-winning films of the four international film festivals are taken as the reference criteria.From the perspective of"other"identity,the significance and value core of the cultural identity of the Northeast Asian films are analyzed and summarized,and the construction of the cultural identity of the Northeast Asian films in international films is discussed.