香港电影伦理叙事中的身份认同与国族意识(1949—2019)

Identity and National Consciousness in the Ethical Narration of Hong Kong Cinema(1949-2019)

香港电影是有效探询香港人身份认同与国族意识的重要指标。香港电影伦理叙事常讲述以血缘关系为依托的小人物家庭悲欢离合的故事,并将之延伸至"家国同构"的社会政治伦理层面。从战后多元意识形态的特定历史时空,到当下香港已然回归的新时期,1949年-2019年香港电影伦理叙事的发展演变,可分为"南下怀乡:社会写实""香港是我家:本土意识显影""回归想象:怀旧与寻根""北进神州:家与国的新时代抒写"四个阶段。

As an important entertainment lifestyle for Hong Kong people,the Hong Kong Cinema plays an essential role to explore their identity and national consciousness.The Hong Kong ethical film takes the Confucian ethical culture as the core of the spirit,which in general tells the story that is full of happiness and struggles in a marginal family,and then extends it to the social and political ethics of the family and state.The ethical narration in Hong Kong Cinema can be divided into four stages,which includes homesickness in the south,Hong Kong is my home,imagination of Hong Kong return and northward up China's Mainland.