摘要
本文的主要采用图例分析和归纳法,对明清两代分层开光形式的青花灵芝纹和景德镇渣胎碗的纹饰特征、装饰手法和表现方式进行分析,探究两者之间的联系与差别,追溯景德镇渣胎碗装饰艺术的起源。借此对景德镇渣胎碗文化进行补充和完善,也为当代青花装饰艺术的创新与发展提供相应的灵感和素材。
This article mainly use the image analysis and induction and Comparative researchmethods,giving the detailed comparison of the of the decoration characteristics of,decoration techniques and forms between Ganoderma-patterned ceramic and Jingdezhen’Zhatai Wan.Find out the links and differences of them,trace the origin of Jingdezhen’Zhatai Wan decoration art.The evolution of decorative ceramic chrysanthemum pattern features a comprehensive study of a useful supplement, but also for the development of modern ceramic art and innovation provides a useful inspiration.
作者
陈雅楠
Chen Yanan(Jingdezhen Ceramic Institute,Jingdezhen City,333000)
出处
《陶瓷研究》
2019年第2期35-39,共5页
Ceramic Studies
关键词
明清青花灵芝纹
渣胎碗
装饰艺术
Ganoderma-patterned
Jingdezhen’Zhatai Wan
Decorative Arts