花鸟画中孔雀形象研究

Study on Peacock Image in Ceramic Flower and Bird Paintings

花鸟画所涉及的题材主要以花鸟、飞禽为表现对象。艺术家喜爱通过描绘大自然中的花鸟飞禽来表达思想感情,隐喻特定的吉祥寓意,给观者美的享受和心愿。孔雀在我国内陆地区是十分罕见的,在古代只有通过西域等地进贡到朝廷,宫廷画师才有机会得以见到。因为其罕见,所以在古代的美术作品中很少出现孔雀。但是孔雀奇异的造型绚丽的色彩都十分讨喜,历代的宫廷画家都喜爱将其视作皇权的象征以及对太平盛世的歌颂。一直到近代,孔雀流传于民间,不少,民间画师也开始使用孔雀作为作画的题材。本文就陶瓷花鸟画中孔雀题材的嬗变作为基调,从艺术内涵以及艺术语言的方式,对陶瓷花鸟画中的孔雀题材进行研究。

The subjects of ceramic flower-and-bird paintings are mainly flower-and-bird paintings and birds. Ceramic artists like to express their thoughts and feelings by describing flowers, birds and birds in nature, metaphorizing specific auspicious implications, and giving viewers the enjoyment and wishes of beauty. Peacocks are very rare in China’s inland areas. In ancient times, only through tribute to the court through the Western Regions and other places, court painters had the opportunity to see them. Because of its rarity, peacocks seldom appear in ancient art works. But the peacock’s exotic shape and gorgeous color are very delightful. Palace painters of all dynasties like to regard it as a symbol of imperial power and a eulogy of peaceful prosperity. Until modern times, peacocks were spread among the people, and many folk painters began to use peacocks as the theme of their paintings. In this paper, the evolution of peacock theme in ceramic flower-and-bird paintings is taken as the keynote, and the peacock theme in ceramic flower-and-bird paintings is studied from the artistic connotation and artistic language.