观音文化在陶瓷装饰中的引用

Quotation of Guanyin Culture in Ceramic Decoration

佛教流入我们华夏民族,最早是在东汉时期,从东汉开始佛教文化就不断渗透到全民族。佛教文化中的观音则是在汉化佛教的定型里产生了一个丰富且意味深长的过程。观音文化所带来的影响包括了宗教、音乐、舞蹈、绘画、雕塑以及陶瓷等。在观音文化的不断发展中,其也逐渐形成了具有典型中国特色的佛教艺术形式。而陶瓷上的观音文化受着佛教文化的壮大,不断的创新和发展。陶瓷上的观音文化起源于汉代,在经历了隋唐时期之后,兴盛于宋元两朝,在明清时期技术已然十分纯熟,逐渐形成了景德镇窑系、德化窑系以及石湾窑系为中心的观音文化陶瓷创作基地。而由于社会的不断进步,普罗大众对传统文化以及宗教信仰的日渐重视,陶瓷观音创作也在最大限度上的向着多元化的发展。

Buddhism was first introduced into our Chinese nation in the Eastern Han Dynasty. Since the Eastern Han Dynasty,Buddhist culture has continuously penetrated into the whole nation. Guanyin in Buddhist culture is a rich and meaningful process in the finalization of Sinicized Buddhism. The influence of Guanyin culture includes religion, music, dance, painting,sculpture and ceramics. In the continuous development of Guanyin culture, it has gradually formed a Buddhist art form with typical Chinese characteristics. The Guanyin culture on ceramics is constantly innovated and developed by the growth of Buddhist culture. Guanyin culture on ceramics originated in Han Dynasty. After Sui and Tang Dynasties, it flourished in Song and Yuan Dynasties. In Ming and Qing Dynasties, the technology was very mature, and gradually formed the Guanyin culture Ceramics Creation Base centered on Jingdezhen kiln system, Dehua kiln system and Shiwan kiln system. With the continuous progress of society and the increasing attention paid by the general public to traditional culture and religious beliefs, the creation of Guanyin ceramics is also developing towards diversification to the maximum extent.