浅析后现代语境下观念摄影的发展

An Analysis on the Development of Conceptual Photography in the Postmodern Context

在简述观念摄影与后现代艺术概念的基础上,分析观念摄影的艺术表达所展现的主观导向性和讽喻特征;概述了后现代艺术的不确定性、善于挪用和呈多样化发展的特征。同时,简单介绍了国外及中国观念摄影的代表人物和作品,如刘铮、许恒等。以此为基础,较为详细地总结后现代语境下,中国观念摄影发展中呈现的主要趋势:利用多元化的拍摄手段;通过挪用等手段与其他艺术的融合;灵活地运用讽喻手法等。

This paper makes a brief introduction on the concepts of conceptual photography and post-modern art,analyzes the subjective orientation and allegorical characteristics presented by the artistic expression of conceptual photography,gives an overview about the features of post-modern art,like uncertainty,being good at misappropriation and presenting diversified development.Meanwhile,this paper briefly introduces the representative figures and their works on conceptual photograph at home and abroad,such as Liu Wei and Xu Heng,then summarizes in more detail the main trend in the development of concept photography in the post-modern context in China:taking advantage diversified shooting methods,integrating other art forms through misappropriation,making the flexible use of allegorical techniques.