摘要
新编历史剧《三打祝家庄》是在解放区后期文学创作加强组织性的背景中产生的。以组织者为联结点,通过其行之有效的组织工作,使主题、材料与文字三者结合起来,是该剧所显现出来的组织机制。它除了在其后集体创作的作品中有清晰的显示外,在其他更多非集体创作的、“写政策”的作品中也有隐性的流露。作为一部在领袖倡议和“有组织的领导下”编创出来的作品,该剧所显现出来的组织机制在解放区后期文学创作中具有代表性意义。
The newly-produced historical play,Three Attacks against Zhujia Village,was finished under the context of the enhanced organization in the later literary writing of the liberated area.The organizers played a significant role in integrating the theme,materials and the words,which reflects the strong organizational mechanism.The organizational mechanism is not only explicitly revealed in the collective works,but also implicitly revealed in the non-collective works and the writing policy of related works.As a play proposed by the leaders and written with the organized support,it highlights the representative value of the organizational mechanism in the later literary works of the liberated area.
作者
秦林芳
QIN Lin-fang(School of Liberal Arts,Nanjing Xiaozhuang University,Nanjing 211171,China)
出处
《南通大学学报(社会科学版)》
CSSCI
北大核心
2019年第4期45-51,共7页
Journal of Nantong University:Social Sciences Edition
基金
国家社会科学基金重点项目“解放区前后期文学的关联性研究”(18AZW019)
关键词
《三打祝家庄》
组织机制
解放区后期文学
Three Attacks against Zhujia Village
organizational mechanism
the later literary works of the liberated area