论倪瓒的“不求形似”

Ni Zan’s Theory of “Ignoring the Form Resemblance”

“元四家”之一的倪瓒,把中国文人画推向了无与伦比的高度。文章通过他“逸笔草草”、“不求形似”、书写“逸气”的笔墨造型观的情感表达,以及独特的空间视觉造型构成,展现了其文人的价值与形态。

Ni Zan,one of the “four masters of Yuan Dynasty”,led Chinese literati’s paintings to the highest point. Ni Zan’s philosophy of “using simple lines and skills” and “ignoring the form resemblance” to express “spiritual resemblance” is analyzed in this research. He presented his literati’s value and style with unique space-visual construction.