摘要
如果将瞿秋白文艺大众化研究的“同情性理解”研究方法向前推进一步,深入分析瞿秋白面临的国际层面、国内层面和个人层面的三重压力,可以发现瞿秋白无产阶级文化领导权系统化理论建构动力。通过分析瞿秋白1932年“文艺大众化”系列文本,可以发现瞿秋白无产阶级文化领导权的逻辑表现和阐述特点。在此基础上,可以更加清晰和准确地理解瞿秋白基于系统化无产阶级文化领导权理论对五四新文化批判的理论定位。
Departing from the“sympathetic understanding”of Qu Qiubai’s argument on literary massification,this paper examines the pressures Qu confronted at international,domestic and individual levels and investigates the dynamics of the systematic theoretical construction on proletarian cultural hegemony.The logic and narrative features of Qu’s idea of proletarian cultural hegemony can be found in his texts written around 1932.Then we may more clearly and accurately understand Qu’s critique on the May Fourth New Cultural Movement from the perspective of proletarian cultural hegemony.
作者
刘宣如
江茹
Liu Xuanru;Jiang Ru
出处
《中国文学批评》
CSSCI
2019年第3期130-137,160,共9页
Chinese Journal of Literary Criticism
基金
南昌航空大学研究生院2019年度创新专项课题“瞿秋白政治理论视域下《新青年》传播思想研究”(YC2019080)阶段性成果