摘要
在弗朗索瓦·特吕弗导演的一系列个人化电影中,我们看到了故事的隐退和个人的浮现。这一系列电影,表现出了对固有的僵化的价值秩序的碰撞和疏离。影片主人公与僵化价值秩序之间的碰撞,不是简单的、概念化的,而是细腻、柔韧、暧昧不显的,表现出让人回味的情感张力。弗朗索瓦·特吕弗导演的一系列个人化电影,其表现手法是相当传统的,电影运用直接、简洁、朴素的拍摄手法,在平实的叙事中表现了某种情感张力。
A series of personalized films directed by the French director Francois Truffaut depict the latent story and the emergent individual,which express the collision against and alienation from the originally rigid order of value.The collision between the protagonist and the rigid order of value is not simple or conceptualized,but exquisite,flexible and latent,which reveals the evocative emotional tensions.In terms of these films,their techniques of expression are fairly traditional.The direct,concise and simple filming techniques exhibit kind of emotional tension in the unembellished narrative.
作者
李蕊
LI Rui(School of Arts, Nanjing University, Nanjing 210093, China)
出处
《海南大学学报(人文社会科学版)》
CSSCI
2019年第4期151-156,共6页
Journal of Hainan University (Humanities & Social Sciences)