微阅读/微写作（英文）

Microreading/Microwriting

作为对李圭"反阅读"理论的回应,本文提出一种"微诗学"理论:这种诗学充分考虑诗歌文本的每一个音素、词素,采用乔伊斯所谓的"言-声-视"阅读方法。该做法取法马塞尔·杜尚的"次厚度"(infrathin)概念--即可能的最小的区分,无论是时空上的,还是A和B之间的。本文认为,类同和类比已被过度强调了,又因其陈词滥调和乏味的泛泛而谈,在当下的政治话语中制造了种种问题性的表达。另一方面,次厚度阅读能为给定的文本确定差异性和独特性,为论述这一点,本文以格特鲁德·斯泰因的《毛小姐与皮女士》为例,说明其中表面上的重复表达实际上是一种精心设计的文字游戏。

This essay,following upon Kyoo Lee’s case for "counterreading",argues for what I call "micropoetics": a close reading that takes into account every phoneme,morpheme,and word of a poetic text and reads that text "verbivocovisually",to use James Joyce’s term.I take as my model Marcel Duchamp’s concept of the infrathin - the smallest possible distinction,whether temporal or spatial,between A and B.Similarity and analogy,I argue,have been overstressed and produced the problematic political discourse of the present with its clichés and vapid generalizations.Infrathin reading,on the other hand,establishes difference and the uniqueness of a given text,as I show in the case of Gertrude Stein’s "Miss Furr and Miss Skeene",where the seeming repetition of phrasing is actually a form of elaborate word play.