摘要
歌仔戏源自闽南而形成于台湾,是闽台两地人民共同创造的艺术瑰宝。其形成与发展,是闽台两地文缘相连的真实印证,更是破除台湾民进党"文化台独"的有力证据。随着时代的变迁,台湾歌仔戏面临新的发展困境:其一,戏曲大环境的衰退,使得歌仔戏丧失其生存土壤;其二,新媒体技术的冲击,致使歌仔戏面临着新的挑战;其三,歌仔戏界人才流失导致后继乏人。为妥善应对歌仔戏所面临的发展困境,不仅要在继承的基础上创新歌仔戏,还必须加强人才的培养与观众的培育,使得歌仔戏曲实现振兴与发展,从而继续发挥两岸文缘连接的重要作用。
The Gezai opera is from Taiwan and formed in Taiwan. It is an artistic treasure created by the people of Fujian and Taiwan. Its formation and development is a true confirmation of the literary connection between Fujian and Taiwan, and it is a strong evidence to break the Taiwan Democratic Progressive Party’s " cultural Taiwan independence." With the changes of the times, Gezai operas are faced with new development dilemmas: First, the decline of the drama environment has caused the songs to lose their soil;second, the impact of new media technologies has caused the new opera to face new challenges;The brain drain in the opera world has led to a lack of success. In order to properly cope with the development dilemma faced by the Gezai opera, it is necessary not only to innovate the Gezai opera on the basis of inheritance, but also to strengthen the cultivation of talents and the cultivation of the audience, so as to realize the revitalization and development of the opera, and thus continue to play an important role in the cross-strait cultural connection.
作者
林小芳
LIN Xiao-fang(Mintai Regional Research Center, Fujian Normal University, Fuzhou 350007, China)
出处
《边疆经济与文化》
2019年第6期102-106,共5页
The Border Economy and Culture
关键词
台湾
歌仔戏
发展困境
Taiwan
Gezai opera
development dilemma