风景的发现:唐宋时期咏黄山诗流变及其文化内涵

Discovering Landscape: Evolution of the Ode Poems to Yellow Mountain in Tang and Song Dynasties and their Cultural Connotation

在自然美的生成过程中,人类的精神创造如文学创作发挥了重大作用。黄山凭借雄奇壮美的景色吸引了不计其数的文人墨客游历观光,也激发了诗人心底无限的诗情。但是,因为开发时间较晚,现存文献中对黄山的歌咏直至唐代才开始。李白是最早写作咏黄山诗的诗人,诗僧释岛云则是唐代咏黄山诗存诗数量最多者。宋代游黄山诗人愈多,咏黄山诗也愈多,其中不乏杨万里这样的著名诗人,以汪莘为代表的黄山本地诗人诗作也颇有可观之处,他们的作品共同丰富了宋代黄山诗的创作面貌。这些诗歌作品丰富了黄山景观,也提升了黄山景观的人文内涵。

Like literary creation, human spiritual creation also plays a major role in the formation of natural beauty. The Yellow Mountain has attracted countless literati and tourists with its magnificent scenery and inspired numerous poets’ infinite poetic feelings. However, because of the lagging development, the ode poems to the mountain did not appear until the Tang dynasty, for which Li Bai was the earliest composer and monk poet Shi Daoyun might have written the most. In the Song dynasty, more poets went to visit the mountain and wrote more ode poems, among whom there were many famous poets like Yang Wanli as well as some representative local poets like Wang Xin, enriching the creation of such poems in the period. All these poems have enriched the Yellow Mountain landscape and enhanced its humanistic connotation.