摘要
享誉国际影坛的伊朗新电影是民族电影的典范,独特的现实性品格是伊朗新电影最本质的属性。伊朗新电影中的现实性品格主要体现在三个方面:首先是题材的选择上,从儿童题材到女性题材,再到中产阶级问题,伊朗新电影始终围绕着伊朗社会的真实现实来展开叙述;其次是叙事策略上,伊朗新电影追求平实质朴的叙事风格,以线性叙事展开,采用非戏剧式的悬念设置,通过冷静客观的视听语言来进行呈现;再次是主题表达上,伊朗新电影分别从对个体的人文关怀、对传统与现代冲突中道德困境的探讨和对生存与死亡终极问题的追问三个层面来展开其现实性的探讨。
New Iranian films which have been reputable internationally are national representative and the unique realistic character is the basic nature of Iranian films.The realistic characters of new Iranian films can be seen in three aspects:firstly,the selection of theme,from children to female and middle class,which means that new Iranian films always narrate Iranian reality.Secondly,in terms of narrative strategy,new Iranian films search for simple and unadorned narrative style with linear narration,non-theatrical suspense and calm and objective audio-visual language.Finally,in regard to the thematic expression,new Iranian films express its discussion on realism from three aspects:humanistic consideration of the individuals,the ethical dilemma in the conflicts of tradition and modernity,and the ultimate question of survival and death.
作者
史可扬
康思齐
Shi Keyang;Kang Siqi(School of Arts and Communication,Beijing Normal University,Beijing,100875)
出处
《民族艺术研究》
CSSCI
2019年第4期11-17,共7页
Ethnic Art Studies
关键词
伊朗新电影
民族电影
现实性
现实观照
人文关怀
new Iranian film
ethnic films
reality
realistic consideration
humanistic concern