叙事转向·空间想象·身份意识——新世纪以来韩国谍战片的美学指向

Narrative Turn,Spacial Imagination,Identity Awareness:Aesthetic Direction of Korean Spy Films in the New Century

新世纪以来,韩国谍战片在叙事上发生了明显的转向,其本质上是后冷战格局下叙事思维的镜像转化。其谍战片在空间想象上走出了“三八线”一侧的臆想,叙事情境拓展为对朝鲜与韩国的现实观照,叙事动力由反特的防御战升级为寻求半岛和平途径的主动姿态。其空间形态变化喻示了朝鲜半岛局势晴雨表的指针摆荡,对空间的想象提供了朝鲜和韩国对话的可能性,也将朝鲜由危险的“他者”重新纳入“我们”的范畴。间谍被置于叙事空间的前景,其身份意识经由国家/政治书写向民族/个人意识转变,获得了自反性的情感烛照。

In the new century,a clear turn is seen in the narration of Korean spy films,which reflects a mirror transformation of the narrative mind in the post-cold war pattern.In terms of spacial imagination,the spy films walked out of the assumption on the one side of the 38 th Parallel,narrative context is extended to a realistic consideration of both Korea and DPRK,and the narrative drive has been upgraded from the anti-spy defense war to an active attitude in looking for peaceful solution for the peninsula.Change of the spacial form informs a swinging barometer of the situation of Korean Peninsula.Also,the spacial imagination enables dialogue between Korea and DPRK,and it adopts Korea from the dangerous“other”into“us”.Spy is situated in the prospect of narrative space,and the identity awareness is transformed from national/political writing to ethnicity/individual awareness.Therefore,feelings lightning up of the reflectivity is gained.