摘要
印度电影具有强烈的反映社会现实的特点。印度反腐题材影片经历了从“暴露腐败现象”到“严厉打击腐败行为”的过程。印度电影中腐败主体和方式层出不穷,同时,反腐败主体的打击行为和力度也越来越大。印度反腐电影的叙事逻辑依循布雷蒙的叙事理论,其反腐主体的动机充分体现出印度的国家意识形态。
Indian films is characterized by strong demonstration of social reality.Indian anti-corruption films developed from“exposure of corruption”to“strict hit on corruption”.The subject and measure of corruption are diverse in Indian films and the behavior and strength of the subject in anti-corruption are growing.The narrative logic of Indian anti-corruption films follows that of Bremond,and the motivation of the subject of the anti-corruption fully reflects India s national ideology.
作者
杜忠锋
王文武
Du Zhongfeng;Wang Wenwu(College of Communication and Media,Yunnan Normal University,Yunnan,Kunming,65050)
出处
《民族艺术研究》
CSSCI
2019年第4期26-32,共7页
Ethnic Art Studies
关键词
叙事逻辑
行为动机
印度电影
反腐败
电影美学
narrative logic
behavioral motivation
Indian films
anti-corruption
film aesthetics