《流浪地球》:从小说到电影

The Wandering Earth:From Fiction to Film

刘慈欣的科幻小说《流浪地球》从一个创意奇点开始,构造了完整的科学性体系,并从技术主义者、科技造物的美学诠释和极端环境下的社会思想实验三大视角出发,讲述了一个惊人的故事。在电影改编过程中,导演郭帆及其团队巧妙地选择了"家园"这一主旨,完成了从原著小说的创意奇点到电影人文内核之间的转变,在坚持科幻电影本身的通用符号体系的基础上,创造出了中国式科幻电影的新视听语言,完成了作为商业类型片的中国科幻电影的破题。

The Science Fiction The Wandering Earth by Liu Cixin begins with a creative singularity and constructs a complete scientific system. Starting from three perspectives,namely technocrat,aesthetic interpretation of technological creation,and social thought experiments in extreme environments,it tells an appalling story. In its adaptation process,director Frank Gwo and his team skillfully chose the theme of homeland and completed the transition from the creative singularity of the original story to the humanistic core of the film. Based on an insistence on the universal symbol system of sci-fi film itself,this film has created a new audio-visual language for Chinese-style sci-fi films,thus explaining what a Chinese sci-fi film of commercial type is about.