跨越在古典与现代之间的巴巴

Corneliu Baba: A Master Who goes across the Classical and the Modern

罗马尼亚20世纪绘画大师柯尔内留·巴巴原作在中国的再度展览,让美术界得以用新的眼光来审视这位曾经被定位为东欧现实主义绘画代表的艺术风貌.本文通过“造型是绘画叙事的根本”、“从造型内部生发出来的抽象结构”、“深暗场景与正面投光的光影寓意”和“从形象背后走出的色彩与笔触”对巴巴艺术语言的剖析,试图揭示巴巴以古典写实绘画为基础而与现代主义绘画建立的某种内在联系.作者认为,巴巴是个跨越在古典与现代之间的伟大画家,这种伟大不是他代表了从古典向现代的转变,而是他在现代主义艺术的时间坐标上回归古典,由此让人们看到了艺术在重返过程中进行的现代性再造.

The re-exhib让ion of the original works of 20th century Rumanian master Corneliu Baba in China has allowed the artistic community to take a new look at the visage of this artist who was once positioned as the representative of eastern European realistic painting. In this article, by analyzing Babas artistic terminology including "formation is the basis of pictorial narrative","the abstract structure emerging from the process of formation""the allegorical significance of dark background and frontal photic casting" and "color and brushwork coming forth from the image", the author tries to reveal certain inner links w让h the modernism painting established by Baba on the basis of the classical realistic. In the author's point of view, Baba is a great painter who traverses the classical arts and the modern. His greatness is not that his work represent the transformation from classical to modern, but that his return to the classical in the temporal coordinate of modernist arts, thus allowing us to realize the reconstruction of the artistic modernity in the process of returning to its origin.