符号学视角下满蒙服饰文化比较研究

A Semiotic Comparative Study of the Manchu and Mongolian Costume Cultures

民族服饰文化是中华文化宝库不可缺少的一员。服饰文化是民族文化的重要组成部分,服饰文化的发展与传承预示着民族文化的保持与创新。从符号学理论的角度看,满族尚蓝、尚白,蒙古族以蓝、黑、白为尊,满族与蒙古族在长期的民族融合贯通中,均保持了本民族固有的民族文化,又诞生了具有满蒙融合特色的特有文化。服饰文化发展与民族起源有着密不可分的关联,各民族服饰文化在融合过程中既很好地保持民族自有特色,又能够与其他民族实现有效贯通。满蒙服饰文化识别了各民族的地域特征,识别了各民族的心理特征,象征着各民族的礼仪教化以及体现的身份等级,还预示着未来满族和蒙古族服饰文化的传承基调与变异、流行趋势。

National costume culture is an indispensable part of the treasure house of Chinese culture. Costume culture is an important part of national culture. The development and inheritance of costume culture indicate the maintenance and innovation of national culture. From the perspective of semiotic theory the Manchu prefer blue and white, while the Mongolians regard blue, black and white in esteem. In the long-term national integration, the Manchu and the Mongolians both have maintained their own inherent national culture, and also generated the unique culture with the characteristics of Manchu-Mongolian integration. The development of costume culture is closely related to the origin of the nation. In the process of integration, the costume culture of all nationalities not only keeps its own characteristics, but can effectively connect with those of other nationalities. The Manchu-Mongolian costume culture helps to identify the regional and psychological characteristics of different nationalities, symbolizes the civilized etiquette of different nationalities and the level of personal status, and also indicates the inheritance keynote, variation and popular trend of the Manchu and Mongolian cultures in the future.